The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
The workforce is mainly women working at benches or on production lines. They test rubber mouthpieces for leaks with a probe. They test the expiratory valves in the same manner. The corrugated tubes a...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
I. Columns of British companies march into the city on 18th October. They are Liverpool Irish, otherwise 8th Battalion, King's (Liverpool Regiment) of 57th (West Lancashire) Division. The men carry fl...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
I. The film opens as the Queen leaves a factory escorted by a mayor. It jumps to her inspecting Royal Marines and Royal Navy ratings drawn up at Chatham. The King is also present, in naval uniform. Th...
(Reel 1) Food, fodder and equipment are unloaded at a railhead freightyard, and put into motorised and horse-drawn vehicles for the trip up to Mount Tonale and the River Piave valley. The convoys move...
The R36 is nose-forward in its shed. Workers turn a large capstan to wind back the doors of the shed and the airship is towed out. It is clearly marked as R36 and as G-FAAF. It takes off from its laun...
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Irmin Schmidt in "Can and Me" (2022)
Filmplakat
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Ken Duken
Brief des bayerischen Innenministeriums mit Antrag auf Widerruf der Zulassung des Bildstreifens "Frauennot - Frauenglück" an die Filmoberprüfstelle Berlin vom 06.12.1930.
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Italian screenplay (version from February 1968, excerpt) for "Kampf um Rom. 2. Teil: Der Verrat".
Hellwig, Albert. "Zur Reform der Filmzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 56-58. Gerichtsassessor A.H. erklärt das mögliche Zustandekommen e...
Internal correspondence regarding "Ein Mann muß nicht immer schön sein".